India is a kaleidoscope of a fascinating blend of the past and the present.
Remnants of the past survive along with the present structures. It leaves
one spellbound to view the forts and palaces of the days of yore on
one hand and simultaneously view the sky-scrapers, residential colonies
and the bustling commercial complexes of today.
The days of yonder and the present mingle together smoothly to give
rise to a rich cultural heritage of India. It is this process of co-mingling
that enriches our culture and our heritage monuments stand evidence
to this fact.
Over the ages India has shown her expertise in the field of architecture
and the progress still continues. It would be a mammoth task to give
an account of all the heritage monuments of India. Nevertheless, here
is our effort in this direction. .
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GATEWAY
OF INDIA, MUMBAI
The
carved yellow basalt Gateway, built by the architect George Wittet
in 1924 stands tall at Apollo Bunderin the metropolitan city of Mumbai.
It was built to commemorate the visit of the first ever British Monarch,
King George V and Queen Mary in 1911. It also includes the statues
of patriot Shiva and Swami Vivekananda, which add to the beauty of
the monument.

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AJANTA
CAVES, MAHARASHTRA
Built
between 2nd century B.C to 7th century A.D., these caves are representation
of Buddhist thoughts etched on walls. The 30 Chaityas and Viharas
have paintings that illustrate the life and incarnations of Buddha.
Ajanta caves were meant to provide seclusion to the Buddhist monks
whose hammers & chisels offered a rich tapestry of images that speak
of places, royalty, culture and tales of everyday life of ancient
India.
Many
of the panels of the caves hold depiction of the Jatakas and numerous
images of Buddha, Nymphs and Princesses. These paintings have survived
time and till date the numerous paintings glowing on the walls of
these caves leave visitors spellbound.

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JANTAR
MANTAR, JAIPUR
This
modernistic structure known as Yantralaya, situated in the Pink city
of Jaipur is the unique creation of astronomer- king Sawai Jaisingh
II. It was designed by him and built by experts to observe the movements
of the sun, the moon, the planets and the stars.
This
is the largest of the five observatories founded by him in 1716, others
being at Delhi, Ujjain, Mathura and Varanasi. The monument was used
to measure local time, the sun's declination, azimuth and altitude,
the declination of fixed stars and planets and also to determine the
time of an eclipse of the sun with extraordinary precision.

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NAHARGARH
FORT, JAIPUR
Beyond
the hills of Jaigarh stand the fort of Nahargarh like a watchful sentinel
guarding Sawai Jai Singh's beautiful capital.Much of the original
structures are now in ruins, but the lovely buildings added by Sawai
Ram Singh II and Sawai Madho Singh II in the 19th century are preserved
in a good condition. Some of the rooms provide the most spectacular
view of the city below.

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QUTAB
MINAR, DELHI
Qutab
Minar,the emblem of Delhi, was erected in the 13th century by Qutab-Ud-Din
Aibak. The Minar made up of red sandstone is 72.55 meters high and
within the complex is an Iron pillar which has never rusted.
This
five-storied tower is visible from several kilometers distance.
It
is a landmark of the Walled City and is a major tourist attraction.

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RED
FORT, DELHI
Red
Fort ,which is also called the All Qila, is laid out along the river
Yamuna as an irregular octagon. It is surrounded by a wall of about
2.4 kms in circumference & is built of red sandstone. It was built
by the Mughal ruler Shah Jahan.
The
fort was completed in 1648, nine years after his transferring of his
capital from Agra to Delhi. The fort has two main entrances, the Delhi
Gate and the Lahori Gate. The latter faces Chandni Chowk, the city's
most crowded but diverse market.

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TEMPLES
OF KHAJURAHO, KHAJURAHO
The
Khajuraho Temples, situated in Madhya Pradesh, were built in a short
span of a hundred years, from 950 - 1050 A.D. These temples are truly
India's one of the most unique
temples,
depicting a paean to life, to love, to joy, perfect in execution and
sublime in expression. Life in its every form and mood stands captured
creatively and imaginatively in stone.
These
85 authentic temples, depicting human passions and while doing so,
bringing out the emptiness of human desire, are truly unique in the
world.Architecturally too they are unique, each stands out on a high
masonry platform, upward directional in structure.
The
Kandariya Mahadeo, the largest of the Khajuraho temples rises to 31
meters height is dedicated to Lord Shiva. The Vishwanath Temple, a
three headed image of Brahma is enshrined in this temple, with a beautiful
entrance with lions flanking the north and the elephants the south,
steps, that lead to it.
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ELEPHANTA
CAVES, MUMBAI
The
architect sculptors carved out of the solid basalt rock, the Elephanta
caves- a representation of the heavenly mountain residence of Lord
Shiva. The Elephanta Temple is located 9 kms off the gateway of India.Opening
out from three sides, the temple lets in light from many angles making
the sculptures seem to move with the changing angles of light Inside
the temple is a large hall, with nine sculptured panels representing
Lord Shiva in different moods. The temple plan is so symmetric with
important focal points worked out in a geometric Mandala (then design
that represents the energy field). There are three opening to the
caves which allows light to enter from various angles in different
seasons giving an expression that the images are moving with transition
of light.
These
architects must have been genius who dared to construct something
which was totally different from what was being constructed in those
days.
The
antiquity of Elephanta caves is said to be of third century. The place
was the capital of powerful coastal kingdom and the excavation of
the caves in the 6th century added to the glory of the kingdom. Later
the Portuguese took possession of the Island and as they first found
a monolith elephant the island was named Elephanta. It is believed
that the caves were used as target practise after they constructed
a fort and put a flag to ward off pirates. The best time to visit
Elephanta is between November and March. May might prove to be difficult
to cross the sea.
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ELLORA
TEMPLE CAVES, MAHARASHTRA
It
took over five centuries for the Hindu, Buddhist and Jain monks to
chisel the monastries, temples, chaples and decorate them with remarkable
imagination and detail. 34 temples carved out of stones, 34 sculptured
caves expressing Hindu, Buddhist and Jain themes, 34 priceless pages
out of history. These caves run North-South and take on the Golden
Radiance of the late afternoon sun.
The Buddhist Expression - Carved in
the 5th century, these sixteen caves are the oldest in the group.
It is an effort of the artist who has tried an element of surprise
by giving them expression of wood .
Most
of these 16 caves are Viharas but cave number 10 is a Chaitya.The
Buddhists believe that Buddha returns after every five thousand years,
thus the12th cave has seven images of Budhha depicting his seven incarnations.
These caves are rightly called the Vishwakarma caves. Here life and
religion go hand in hand.
The Hindu Expression - The Hindu
caves exhibit a totally different league from the Jain and Buddhist
temples in terms of style, creative vision and execution skills. Cave
14 was initially a Buddh Vihar but in 7th century it was dedicated
as Shiva temple, lord Shiva being depicted as The Destroyer. Twice
the area of Parthenon in Athens, the cave is 11/2 times high and entails
removing 200,000 tonnes of rock. The Dumar Lena cave resembles the
great cave shrine at Elephanta and is dedicated to lord Shiva. The
Jain Dedication- Each of the caves show the beliefs of the Jains,
and their strict ascetism that imbibed in them a spirit of non-violence
towards all. The 32nd cave is a beautiful shrine with exquisite carvings
of a lotus flower on the ceiling and an imposing yakshi seated on
her lion under a mango-tree laden with fruit.
Therefore,
what sets India apart from various other travel destinations is its
vast cultural treasure stemming from a historic past. This grand repository
of ancient cultural and natural treasures is of great significance not
only to the history and civilization of India but also to that of the
world.
Hence, this journey through the staggering topographical variations
of India proves to be definitely stimulating and if viewed not virtually
but, in person it would prove to be pleasing to one's visual sensibility.
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